Available for sale from Pace Gallery, Trevor Paglen, A Standard Face (2020), Ink on paper, 65 × 52.1 × 3.8 cm After all stated above, the impression is that Trevor Paglen engages enormous efforts to understand the present moment which until recently felt like distant future. All Power to the People: Black Panthers at 50!, Oakland Museum of California, California. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Operation How, Now, Wow, 16 Beaver Space, New York. Extra States: Nations in Liquidation, Kunsthal Extra City, Antwerp. Trevor Paglen, Secession, Vienna, November 26, 2010–February 13, 2011. California and the West: Photography from the Campaign for Art, San Francisco Museum of Modern Art. Im Zweifel für den Zweifel, NRW Forum Wirtschaft und Kultur, Düsseldorf, Germany. Traveled to: Museum of Art, Architecture and Technology, Lisbon. It will coincide with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4 September 2020 – 14 March 2021) and at OGR Turin (10 October 2020 – 10 January 2021). Trevor Paglen: A Compendium of Secrets, Kunsthalle Giessen, Germany. The Image of War, Bonniers Konsthall, Stockholm. En Liang Khong Features 10 September 2020 ArtReview. Nina Beier, Judith Hopf, John Miller, Trevor Paglen, Halsey McKey Gallery, East Hampton, New York. The website gave you … Trevor Paglen, Metro Pictures, New York, February 7–March 9, 2013. Tech Tools of the Trade: Contemporary New Media Art, de Saisset Museum, Santa Clara University, California. Related articles. Tom Seymour. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 – November 10, 2020 – Contemporary art with installation views Following on from exhibitions at the Barbican and at Prada in Milan and Paris, Paglen continues his analysis of contemporary socio-technical themes including facial recognition, AI, and concepts surrounding alternative futures. A l’heure où tout devient sujet au « cyber » - cyberculture, cyber infomatisation, cyber technologie, ou sujet de « data », Trevor Paglen, choisit comme de nombreux artistes contemporains de s’appuyer sur la science, principalement, pour créer et s’engager. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Traveled to: Museum of Contemporary Art San Diego, February 21, 2019–June 2, 2019. The Automated Image, Le Mois de la Photo à Montréal. Trevor Paglen: The Other Night Sky, Kunsthall Oslo, November 5–December 3, 2010. Vortexhibition Polyphonica, Henry Art Museum, University of Washington, Seattle. Version 2.0, Museum of Contemporary Art, Chicago. Deep-dive into Trevor Paglen's mind and process as the artist shares insight on the development of his new works in his multi-media exhibition Bloom at Pace in London. Traveled to: University of Michigan Museum of Art, Ann Arbor. Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Traveled to: Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania and the Colby College Museum of Art, Waterville, Maine. Dallas Contemporary Presents "Paolo Roversi: Birds", Sam Gilliam's Latest: A Roundtable Conversation, Barbican Presents "Jean Dubuffet: Brutal Beauty", Elmgreen & Dragset's "The Hive" at the Moynihan Train Hall, 48" × 60" (121.9 cm × 152.4 cm), Edition 4 of 5 + 2 APs, 69" × 92" (175.3 cm × 233.7 cm) Still Revolution: Suspended in Time, CONTACT Toronto Photography Festival and the Museum of Contemporary Canadian Art, Toronto. Whereas these attempts at housing artworks on online platforms have mostly taken the form of online viewing rooms, Trevor Paglen’s new show at London’s Pace gallery not only offers a novel take on the format, but casts a sceptical glance over the wider technologies that have become so pervasive in our everyday lives, particularly in 2020. Object Fictions, James Cohan Gallery, New York. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom will be presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen: Opposing Geometries, Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 4, 2020–March 14, 2021. Kate Crawford | Trevor Paglen: Training Humans, Osservatorio Fondazione Prada, Milan. Trevor Paglen: The Genres, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, March 25–September 27, 2015. In the Private Eye, ISE Cultural Foundation, New York. Trevor Paglen (b. Everything is Connected: Art and Conspiracy, The Met Breuer, New York. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). Après une rétrospective importante de Trevor Paglen au Smithsonian Amercian Art Museum de Washington DC, l’artiste américain a une actualité chargée en Europe pour cette rentrée 2019. The World to Come: Art in the Age of the Anthropocene, Samuel P. Harn Museum of Art, University of Florida, Gainesville. Thought Crimes: The Art of Subversion, Diverse Works, Houston. Trevor Paglen: Geographies of Seeing, Brighton Photo Biennial, Lighthouse, England, October 6–November 4, 2012. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon. Into the Unknown: A Journey through Science Fiction, The Curve, Barbican Centre, London. Simultaneously, participants “visiting” the show via livestream are also present in the gallery, as visitors are given the option to stream their personal webcams into the gallery space on monitors. Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. Marc Glimcher, CEO of Pace, today announced that New York and Berlin-based American artist Trevor Paglen has joined the gallery’s roster of leading international contemporary artists. The Value of Freedom, Belvedere 21, Vienna. Bloom (#a5808a), 2020. Sebald Variations, Centre de Cultura Contemporània de Barcelona. Expanding Narratives, Smart Museum of Art, University of Chicago. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. 61-1/8" × 61-1/8" × 2-3/8" (155.3 cm × 155.3 cm × 6 cm), framed, 18" × 18" (45.7 cm × 45.7 cm) Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Watching the Earth from the Universe, Mori Art Museum, Tokyo. Invisible Fields: Geographies of Radio Waves, Centre d'Art Santa Mònica, Barcelona. The system that is in place is highly complex, but it has been simplified in order for the everyday person to use. Held both at 6 Burlington Gardens in London and online, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Red Thread, TANAS - Space for Contemporary Turkish Art, Berlin. By trying to critically resolve the technology, the artist tends to speak about humanity in a philosophically and poetically inclined manner. In addition to the mediation with the audience, an extensive following program is being prepared, and an artist talk by Paglen is already scheduled for 20 June 2018. Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. When a member of the public’s image is captured by a camera and simultaneously projected on the gallery video monitor, the AI model categorises them according to the dataset. Die Wolken und die Wolke (The Clouds and the Cloud), Museum für Gegenwartskunst Siegen, Siegen University, Germany, September 4, 2020–January 10, 2021. The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020 and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. But after Covid-19 remade the world, the show had to change. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. #1: Cartagena Biennial, Cartagena de Indias, Colombia. Share; Tweet; Advertisement. Moonlight – 50 Years of Photographing the Moon, Hasselblad Foundation, Göteborg, Sweden. Octopus builds on Paglen’s current practice, allowing visitors to engage with his exhibition through a web portal that allows each participant to see the gallery from the viewpoint of cameras trained on various angles of the artworks and the gallery itself. Kabir Jhala and . Nothing Stable Under Heaven, San Francisco Museum of Modern Art. The New Normal, Artists Space, New York. Global Control and Censorship, The ZKM | Center for Art and Media Karlsruhe, Germany. A Historic Occasion, Massachusetts Museum of Contemporary Art, North Adams. Trevor Paglen, Protocinema, Istanbul, September 12–October 25, 2013. Nous ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art et de recherche, Paris. Computing systems that collect, interpret, and operationalize data that defines and tracks identity, movement, and habits, fuel the artist’s broad practice. The New Alphabet – Opening Days, Haus der Kulturen der Welt, Berlin. Allen Memorial Art Museum, Oberlin College, Ohio, Amon Carter Museum of American Art, Fort Worth, Texas, Berkeley Art Museum and Pacific Film Archive, California, Carl & Marilynn Thoma Art Foundation, Santa Fe, New Mexico and Chicago, Illinois, Colby College Museum of Art, Waterville, Maine, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, The Denning House Collection, Stanford University, California, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing, Henry Art Gallery, University of Washington, Seattle, Institute of Contemporary Art, Boston, Massachusetts, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Musée d'art contemporain de Montréal, Canada, Musée d'art moderne Grand-Duc Jean, Luxembourg City, Museum of Contemporary Art San Diego, California, Museum of Fine Arts, Boston, Massachusetts, Museum of Modern Art, New York Solomon R. Guggenheim Museum. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Digital Archives, Kunstverein Hannover, Germany. Trevor Paglen was born in 1974 at an Air Force base in Maryland where his father was an ophthalmologist. Trevor Paglen: Bloom / Pace Gallery / London / reviewed by Katie Smith A computer functions on far more than a click of a few buttons. They do not represent real-to-life colours so much as what the AI thinks the different parts of the images are. Trevor Paglen, California College of Arts and Crafts, San Francisco. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#9b746d) (2020), Dye sublimation print, 105.7 × 140 × 5.1 cm Courtesy Trevor Paglen and Pace Gallery Trevor Paglen, Bellwether Gallery, New York. Conspire, Transmediale 2008, Haus der Kulturen der Welt, Berlin. Art in the Age of Truthiness, SITE Santa Fe. Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020. Trevor Paglen, Galerie Thomas Zander, Cologne, March 21–June 13, 2009. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. The Landscape of War, San Jose Institute of Contemporary Art, California. Secret Satellites, Belfast Exposed, Ireland. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York. Dark Matters: Artists See the Impossible, Yerba Buena Center for the Arts, San Francisco. 2008, University of California at Berkeley, PhD in Geography. Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana. In a series of pen-on-paper drawings, Paglen shows how complex images are “abstracted” into much simpler versions in computer vision systems, drawing parallels between computer vision systems and Constructivist and Cubist ways of seeing. Trevor Paglen at Pace Gallery. The Art of War, CEPA Gallery, Buffalo, New York. Artificial intelligence algorithms are designed and trained to look for faces, unique key points, lines, circles, and areas of interest as they attempt to deconstruct the underlying reality into a more simplified series of sections or shapes. The Spectacle of War, The Empty Quarter, Dubai. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#79655d) (2020), Dye sublimation print, 51.4 × 68 × 3.8 cm Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis, Minnesota. 1974) is an American artist examining the systems and technologies that shape our world. Available for sale from Pace Gallery, Trevor Paglen, The Disasters (2020), Pigment print, 155.3 × 155.3 × 6 cm In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts. This simplification means that the system is largely rendered invisible. Trevor Paglen, American University Museum, Katzen Arts Center, Washington, D.C. Trevor Paglen: Hidden Landscape, Aksioma, Ljubljana, Slovenia, April 4–22, 2011. Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020. This dataset was created by State Farm insurance to adjust their insurance premiums in real-time, based on that information. Trevor Paglen: The Octopus, Frankfurter Kunstverein, Germany, June 20–August 30, 2015. Installation view from Jean Dubuffet's 1969 exhibition at Pace Gallery, Simulacres. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. 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