Trevor Paglen: Unhuman, Altman Siegel, San Francisco, February 10–April 2, 2011. Eppur Si Muove: Art et Technique, Un Espace Partagé, Grand Duke Jean Museum of Modern Art, Luxembourg City. A former prison-rights activist, Paglen's photographs often depict classified military activity. Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. Courtesy of the Artist and Pace Gallery Trevor Paglen’s Three Remarkable Shows. Road to Nowhere, FotoFest 2010 Biennial, Houston. Following on from exhibitions at the Barbican and at Prada in Milan and Paris, Paglen continues his analysis of contemporary socio-technical themes including facial recognition, AI, and concepts surrounding … Tech Tools of the Trade: Contemporary New Media Art, de Saisset Museum, Santa Clara University, California. The world is a messy place. 61-1/8" × 61-1/8" × 2-3/8" (155.3 cm × 155.3 cm × 6 cm), framed, 18" × 18" (45.7 cm × 45.7 cm) The Image of War, Bonniers Konsthall, Stockholm. Previous series have featured a National Security Agency's eavesdropping complex, an Israeli nuclear weapons facility and a secret CIA prison. Catastrophe? California Invitational, Museum of Photographic Arts, San Diego. Galileo e le Arti, Palazzo del Monte di Pietá, Italy. Paglen's complex and pioneering work examines the systems and technologies that shape society. Courtesy of the Artist and Pace Gallery Trevor Paglen’s Three Remarkable Shows. Schneider Museum of Art, Southern Oregon University, Ashland. Object Fictions, James Cohan Gallery, New York. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). The Landscape of War, San Jose Institute of Contemporary Art, California. In addition to the mediation with the audience, an extensive following program is being prepared, and an artist talk by Paglen is already scheduled for 20 June 2018. Wild Sky, Edith-Ruß-Haus, Oldenburg, Germany. Trevor Paglen: A Study of Invisible Images, Metro Pictures, New York, September 8–October 21, 2017. The Culture of Fear/Die Kultur der Angst, HALLE 14, Leipzig, Germany. The World to Come: Art in the Age of the Anthropocene, Samuel P. Harn Museum of Art, University of Florida, Gainesville. Kristen Knupp interviewed American artist Trevor Paglen at Pace Gallery, Geneva, for his exhibition “The Shape of Clouds” which opened on September 3, 2019. Trevor Paglen présente douze photographies à la Pace Gallery, The Shape of Clouds. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Graphic Design – Now in Production, Walker Art Center, Minneapolis, Minnesota. Allen Memorial Art Museum, Oberlin College, Ohio, Amon Carter Museum of American Art, Fort Worth, Texas, Berkeley Art Museum and Pacific Film Archive, California, Carl & Marilynn Thoma Art Foundation, Santa Fe, New Mexico and Chicago, Illinois, Colby College Museum of Art, Waterville, Maine, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, The Denning House Collection, Stanford University, California, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing, Henry Art Gallery, University of Washington, Seattle, Institute of Contemporary Art, Boston, Massachusetts, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Musée d'art contemporain de Montréal, Canada, Musée d'art moderne Grand-Duc Jean, Luxembourg City, Museum of Contemporary Art San Diego, California, Museum of Fine Arts, Boston, Massachusetts, Museum of Modern Art, New York Solomon R. Guggenheim Museum. In September 2020, Pace Gallery in London held an exhibition of Trevor Paglen's work, exploring 'the weird, partial ways computers look back at us'. In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts. Spectacle & Scaffolding: Contemporary Photography Muses Hierarchy, Turchin Center for the. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Trevor Paglen’s new show at London’s Pace Gallery, the Bloom Series, explores the themes of artificial intelligence, facial recognition, politics of images, and how computer systems interpret the complexity of life. Ansel Adams in Our Time, Museum of Fine Arts, Boston. Off the Grid, Neuberger Museum of Art, State University of New York at Purchase, New York. The world has become too complex and too fragmented for any human to fully comprehend it. Courtesy Trevor Paglen and Pace Gallery Paglen's complex and pioneering work examines the systems and technologies that shape society. Artes Mundi 8, National Museum Cardiff, Wales. Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. A Democracy of Images: Photographs from the Smithsonian American Art Museum, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C. Artists-in-Residence: New Works, ArtPace, San Antonio. Trevor Paglen and Jacob Appelbaum: Autonomy Cube, Edith-Russ-Haus for Media Art, Oldenburg, Germany. Disappeared, Goff and Rosenthal, New York. The Art of War, CEPA Gallery, Buffalo, New York. (catalogue). These simple truths resonate through Trevor Paglen’s works. A former prison-rights activist, Paglen's photographs often depict classified military activity. Architecture of Fear, Z33, Hasselt, Belgium. Trevor Paglen (b. This website uses cookies to offer you a better browsing experience. By using this site, you consent to our use of cookies. Into the Unknown: A Journey through Science Fiction, The Curve, Barbican Centre, London. Trevor Paglen: The Genres, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, March 25–September 27, 2015. Dark Matters: Artists See the Impossible, Yerba Buena Center for the Arts, San Francisco. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. The New Alphabet – Opening Days, Haus der Kulturen der Welt, Berlin. Trevor Paglen at Pace Gallery. Trevor Paglen, CLOUD #603 Watershed (detail), 2019, dye sublimation print, 48" × 60" (121.9 cm × 152.4 cm), Edition of 5 + 2 AP © Trevor Paglen. En Liang Khong Features 10 September 2020 ArtReview. London—Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Surveillance, Art & Photography, C/O Berlin. Trevor Paglen: Inaugural Exhibition Solo Show, Officine Grandi Riparazioni, Turin, March 12–May 31, 2020. Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. (catalogue). The system that is in place is highly complex, but it has been simplified in order for the everyday person to use. Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. Social Ecologies, Rail Curatorial Projects at Industry City, Brooklyn. Traveled to: Akademie der kunste, Berlin; Gallery 400, University of Illinois, Chicago; Gund Gallery, Kenyon College, Ohio. Trevor Paglen: A Compendium of Secrets, Kunsthalle Giessen, Germany. Nothing Will Be As Before, Tanya Leighton, Berlin. They Used to Call it the Moon, Baltic Centre for Contemporary Art, Newcastle, United Kingdom. Trace Recordings, UTS Gallery, University of Technology, Sydney. La livraison est disponible en tout temps | Nous joindre; Panier 0 produit Escaping the Digital Unease!, Kunsthaus Langenthal, Switzerland. Dissident Futures, Yerba Buena Center for the Arts, San Francisco. Trevor Paglen: Deep State, Kunsthalle Winterthur, Switzerland, May 28–July 9, 2017. Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York. Tom Seymour. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. Embedded in the work is a critical dialogue on the nature of how we use media and technology and how it impacts the way we see and are seen. Radical Landscapes, The di Rosa Museum, Napa, California. The World As Prison?, Museo nazionale delle arti del XXI secolo, Rome. Quelle catastrophe?, Manif d'art 5 / The Québec City Biennial. Trevor Paglen: Black World, Bellwether, New York, November 16–December 23, 2006. Low Form. Trevor Paglen, Salina Art Center, Kansas, 2001. By trying to critically resolve the technology, the artist tends to speak about humanity in a philosophically and poetically inclined manner. Trevor Paglen, Bloom, runs at Pace Gallery, London, from 10 September to 10 November 2020. The Value of Freedom, Belvedere 21, Vienna. Thought Crimes: The Art of Subversion, Diverse Works, Houston. Mourning, sadness, and fragility underlie Trevor Paglen’s exhibition Bloom, on show at Pace Gallery, London, until 10 November 2020. A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland. 2019. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. Held both at 6 Burlington Gardens in London and online, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. From a distance, these works give the appearances of subtle lines of colour fields reminiscent of Agnes Martin’s abstract paintings. Available for sale from Pace Gallery, Trevor Paglen, The Disasters (2020), Pigment print, 155.3 × 155.3 × 6 cm Trevor Paglen: The Other Night Sky / MATRIX 225, Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, June 1–September 14, 2008. Related articles. Bloom. Stars: Cosmic art from 1900 to today, Lentos Kunstmuseum Linz, Austria. 25-9/16" × 20-1/2" × 1-1/2" (64.9 cm × 52.1 cm × 3.8 cm), framed, 72" × 56" (182.9 cm × 142.2 cm) (Out of) Control, 7th International Biennial of Photography and Visual Arts, Liège, Belgium. Global Control and Censorship, The ZKM | Center for Art and Media Karlsruhe, Germany. Gorgeous, Asian Art Museum, San Francisco. More Real? Installation view from Jean Dubuffet's 1969 exhibition at Pace Gallery, Simulacres. Ominous Atmosphere, Heather Marx Gallery, San Francisco. All Power to the People: Black Panthers at 50!, Oakland Museum of California, California. Trevor Paglen, Altman Siegel, San Francisco, March 5–May 2, 2015. Time as Landscape, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. Extra States: Nations in Liquidation, Kunsthal Extra City, Antwerp. Trevor Paglen, Bellwether Gallery, New York. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston. I Spy: Security and Surveillance, Sun Valley Museum of Art, Ketchum, Idaho. 2008, University of California at Berkeley, PhD in Geography. Artist Sammy Baloji on Colonial Legacies, New Stories and Creating the Lubumbashi Biennale … Here We Are Today, Bucerius Kunst Forum, Hamburg. Watching the Earth from the Universe, Mori Art Museum, Tokyo. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. (Catalogue) 2008 SECA Art Award Exhibition, San Francisco Museum of Modern Art, San Francisco. Panopticon: Visibility, Data, and the Monitoring Gaze, Utah Museum of Contemporary Art, Salt. Polyphonic Worlds: Justice as Medium, Contour Biennale 8, Nona Arts Centre, Mechelen, Belgium. But after Covid-19 remade the world, the show had to change. Traveled to: Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania and the Colby College Museum of Art, Waterville, Maine. 55-1/8" × 41-5/8" × 2" (140 cm × 105.7 cm × 5.1 cm), framed, 26" × 19-1/2" (66 cm × 49.5 cm) 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Trevor Paglen: The Shape of Clouds, Pace Gallery, Geneva, September 4–October 24, 2019. This simplification … Une fois de plus, l'artiste américain y présente des œuvres qui mettent en exergue les dangers de l'intelligence artificielle mais imagine également d'un dispositif inédit, inspiré par les mutations technologiques à l'heure du confinement : les visiteurs virtuels peuvent s'y infiltrer à … Imaginaries and Visions in the Age of Artificial Intelligence, Museo nazionale delle arti del XXI secolo, Rome. Walls Turned Sideways, Contemporary Arts Museum Houston. Plug and Play, Artswatch, Louisville, Kentucky. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm Trevor Paglen: Surveillance States, Prefix Institute of Contemporary Art, Toronto, May 4–June 16, 2018. Computing systems that collect, interpret, and operationalize data that defines and tracks identity, movement, and habits fuel Paglen’s broad practice. This is Pace’s second … Version 3, Museum of Contemporary Art, Chicago. Image Counter Image, Haus der Kunst, Munich. Nous ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art et de recherche, Paris. POW!, California College of Arts and Crafts, San Francisco. Will and Be Going To, Altman Siegel, San Francisco. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. The Electric Comma, V-A-C Foundation, Palazzo delle Zattere, Venice. Bloom. Covert Operations: Investigating the Known Unknowns, San Jose Museum of Art, California. The MacArthur genius grant winner's solo exhibition at Pace Gallery in London looks at the weird, partial ways computers look back at us. Illegal, Luggage Store Gallery, San Francisco. Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis, Minnesota. Opposing Geometries, at Carnegie Museum of Art, Pittsburgh, is on view from 4 September to 14 March. Ministry of Truth, Boers-Li Gallery, Beijing. Sebald Variations, Centre de Cultura Contemporània de Barcelona. Traveled to: Museum of Art, Architecture and Technology, Lisbon. Weather Permitting, 9th Bienal do Mercosul, Porto Alegre, Brazil. He grew up on bases in the USA and Germany. Visual Arts, Appalachian State University, Boone, North Carolina. The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno. Aesthetic of the Virtual, Collection Falkenberg, Hamburg. 6 Billion Perps Held Hostage! Uncanny Values: Artificial Intelligence & You, Vienna Biennale for Change 2019, MAK – Museum für Angewandte Kunst, Vienna. Julieta Aranda: Ghost Nets, Galería OMR, Mexico City. Based in a process of elimination and manipulation rather than accumulation, this series of drawings is the result of the artist’s meticulous interventions in the weave of metal screen fragments, which are coated in ink and pressed onto paper. In a series of pen-on-paper drawings, Paglen shows how complex images are “abstracted” into much simpler versions in computer vision systems, drawing parallels between computer vision systems and Constructivist and Cubist ways of seeing. The Last Pictures, Photomonth Festival, Krakow, Poland. #1: Cartagena Biennial, Cartagena de Indias, Colombia. Trevor Paglen, Metro Pictures, New York, February 7–March 9, 2013. The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. I have already witnessed first-hand the gallery’s global reach and their commitment to artists through our project together in Geneva last year. Under the Clouds: From Paranoia to the Digital Sublime, Museu de Arte Contemporânea, Porto, Portugal. 19-5/8" × 19-5/8" × 1-1/2" (49.8 cm × 49.8 cm × 3.8 cm) framed. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Bloom (#a5808a), 2020. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. Trevor Paglen was born in 1974 at an Air Force base in Maryland where his father was an ophthalmologist. The system that is in place is highly complex, but it has been simplified in order for the everyday person to use. Unnamed Design, 4th Gwangju Design Biennale, South Korea. Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Counter Productive Industries, 1926 Gallery, Chicago. Available for sale from Pace Gallery, Trevor Paglen, A Standard Face (2020), Ink on paper, 65 × 52.1 × 3.8 cm Available for sale from Pace Gallery, Trevor Paglen, Bloom (#79655d) (2020), Dye sublimation print, 51.4 × 68 × 3.8 cm (catalogue). WATCHED! A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed to extract as … Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia. Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of the 1960’s mathematical model of a “standard head” by the pioneering researcher funded by the CIA, Woody Bledsoe. 2002, School of the Art Institute of Chicago, M.F.A. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom will be presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Après une rétrospective importante de Trevor Paglen au Smithsonian Amercian Art Museum de Washington DC, l’artiste américain a une actualité chargée en Europe pour cette rentrée 2019. Art in the Age of Anxiety, Sharjah Art Foundation, United Arab Emirates, June 26–September 26, 2020. Collaboration with Greg Niemeyer, Mills College Art Museum, Oakland, California. The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020 and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. 1996, University of California at Berkeley, B.A. Hear Trevor Paglen discuss his latest body of work in this new talk . Whereas these attempts at housing artworks on online platforms have mostly taken the form of online viewing rooms, Trevor Paglen’s new show at London’s Pace gallery not only offers a novel take on the format, but casts a sceptical glance over the wider technologies that have become so pervasive in our everyday lives, particularly in 2020. Trevor Paglen, Deadtech, Chicago, Opened February 9, 2001. (catalogue). Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Technology is seductive. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. Courtesy Trevor Paglen and Pace Gallery In his “CLOUD” series (2019), Paglen uses algorithms to analyze transcendental photos of the sky; he has continued exploring this technique … This website uses cookies to offer you a better browsing experience. Trevor Paglen: Impossible Objects, Altman Siegel, San Francisco, March 15–May 5, 2018. CounterIntellegence, Justina M. Barnicke Gallery Hart House, University of Toronto. Resynthesis, Betty Rymer Gallery, Chicago. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Presented alongside these sculptures are a series of new drawings and compositional paintings that are similarly based on mathematical simplifications produced by various computer vision algorithms. Site Santa Fe Altman Siegel, San Francisco Paglen Studio/Trevor Paglen, California: States! Turin, March 12–May 31, 2020 Impossible Objects, Altman Siegel, San,. London is pleased to return to its physical Space with an exhibition of New works by artist..., Smart Museum of Art, Warsaw systems and technologies that shape society Gallery trevor Paglen: a Void Philadelphia! Control, 7th International Biennial of Photography and Visual Arts, San Francisco, 7–March!, CONTACT Toronto Photography Festival and the West: Photography from the Universe, Mori Art,... State Farm insurance to adjust their insurance premiums in real-time, based on that information Contemporary Art Toronto... 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